Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 162 (1914)

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Delve into the refined elegance of early 20th-century Parisian fashion with Gerda Wegener’s illustrious piece, . Captured in this intricate design is a fashionably attired woman, interestingly engaged in the leisurely act of reading. This illustration not only epitomizes the style of the era but also illuminates the societal norms and the luxurious lifestyle of Parisian society in 1914.The lady, adorned in a lavish outfit, reclines gracefully on a chaise lounge. Her attire features a chorus of floral patterns on her voluminous dress which is complemented by an ornately decorated bonnet, suggesting a sense of high society and attention to detail that was characteristic of the time. The striking use of minimal color accentuates the silhouette, highlighting the textures and contours of the fabric and accessories.Wegener’s artistry extends to the simplistic yet elegant background that frames the subject perfectly, drawing the viewer’s attention directly to her serene posture and the soft folds of her gown. The dropped envelope and letter beside the chaise add a narrative depth, perhaps hinting at the personal stories that fashion entwines.This serene portrayal not only gives us a window into the fashion and culture of Paris in 1914 but also showcases Gerda Wegener's mastery in capturing the essence of femininity and style in her illustrations.

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Gerda Marie Fredrikke Wegener (15 March 1886 – 28 July 1940) was a Danish illustrator and painter. Wegener is known for her fashion illustrations and later her paintings that pushed the boundaries of her time concerning gender and love. These works were classified as lesbian erotica at times and many were inspired by her partner, the transgender woman Lili Elbe. Wegener employed these works in the styles of Art Nouveau and later Art Deco.