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Sans Titre (Étude Pour Un Motifs Décoratif) (1930) reproduction of painting by Georges Valmier. ALL GICLEE PRINTS

Sans Titre (Étude Pour Un Motifs Décoratif) (1930)

Georges Valmier
Technique: Giclée quality print
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Welcome to our exploration of Georges Valmier's intriguing 1930 artwork, "Sans Titre (Étude Pour Un Motifs Décoratif)" – a title translating to "Untitled (Study for a Decorative Motif)". This piece showcases Valmier's signature blend of geometric abstraction, a style he perfected as a key player in the Cubist movement.In this painting, Valmier arranges an assortment of shapes and lines into a harmonious composition that captivates the eye. The use of sharp angles and curves juxtaposed against each other creates a dynamic tension. The color palette is bold yet balanced, with deep reds and blues dominating the scene, highlighted by contrasting lines in bright yellow and gray, all set against a calming light blue background.Notice the fluidity within the structure: organic lines swirl against the rigidity of geometric forms, suggesting movement and a certain lyrical quality. Valmier's work here is not just a study of form but also of color and its impact on spatial perception."Sans Titre" invites viewers to delve into a world where form and color interact in endlessly fascinating ways. Each glance reveals new relationships and balances, a testament to Valmier's prowess in transforming simple shapes into a sophisticated visual dialogue.

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Artist
Georges Valmier
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Georges Valmier (11 April 1885 – 25 March 1937) was a French painter. His work encompassed the great movements in the modern history of painting, starting with Impressionism in his early years, then Cubism which he discovered when he was around 25 years old, and finally Absstractionism from 1921. He also designed sets and costumes for theater and ballet, and models for fabrics, carpets, and other objects. His oil paintings do not exceed 300 in number, since Valmier died prematurely at the age of 51. His paintings were the culmination of many preparatory drafts in gouaches, multiple versions of which are works in themselves and reflect his penchant for colors and inventive shapes. Valmier was also a musician. He performed the works of Debussy, Ravel, Fauré, and Satie at major concerts and in churches, and had a decisive influence on the career of André Jolivet.

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