The lid is off again (1904)
Technique: Giclée quality print
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Samuel Ehrhart's 1904 artwork, "The Lid is Off Again," presents a vibrant and satirical look at societal norms and behaviors of the early 20th century. In this painting, Ehrhart, known for his perceptive and often humorous perspective on social issues, uses vivid imagery and dynamic characters to engage viewers in a reflection on the nature of society.The central figure of the painting is a devilish character, garbed in a maroon costume, gleefully lifting the lid off a large, ornate box labeled "Society." This action releases a swirl of chaotic scenes rising like specters above the box. Each vignette captures different aspects of social interaction that might be considered indulgent or morally questionable. From raucous gatherings and lavish feasts to lively dances and intimate conversations, the artist illustrates a variety of pursuits that transcend the common restraints of societal decorum.Ehrhart's use of the devil character suggests a critique of how societal norms can sometimes repress natural human desires—it’s as though he’s saying the 'lid' of societal expectations often needs to be lifted to reveal our true inclinations.As one of the poignant pieces from the early 1900s, "The Lid is Off Again" offers not only a visual feast but also a clever commentary on the push-and-pull between society’s facade and the underlying human behaviors it seeks to govern.
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American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper's Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). He died in Brooklyn, New York on October 26, 1937.