In the cyclone cellar, – waiting for fair weather (1894)
Technique: Giclée quality print
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Samuel Ehrhart's 1894 painting, "In the Cyclone Cellar, – Waiting for Fair Weather," imbues a sense of political satire through vibrant and exaggerated visual elements. The scene captures the tumultuous nature of political storms, depicting a man, possibly a politician, taking shelter in a cyclone cellar. His face is marked by an expression of terror and confusion as he peers out at the chaos outside.This vivid artwork surrounds the central figure with swirling papers and debris, dramatically illustrating the whirlwind—a metaphor for the chaotic political environment. Crucially, the papers flying around in the maelstrom are labeled with words such as "Election," "Credit Limits," and various ambiguous notes perhaps representing legislative or political documents, emphasizing the disorder and unpredictability in political spheres.The man clutches a sign reading "Jeffersonian Principles," a likely nod to Thomas Jefferson's ideals of democracy and liberty, suggesting that these principles are what he seeks to shelter and preserve amid the surrounding upheaval.With its dynamic composition and poignant symbolism, Ehrhart's piece offers a comedic yet critical look at political resilience and vulnerability.
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American cartoonist and illustrator born in Pottsville, Pennsylvania, Ehrhart received his education in the New York City school system. Subsequently, he studied art in Munich. His work appeared in Harper's Monthly (1878-79), Puck (1880, and 1888-1913), and Judge (1887). He died in Brooklyn, New York on October 26, 1937.