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L’aiguillée (The Thread) (1893) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

L’aiguillée (The Thread) (1893)

Édouard Vuillard
Technique: Giclée quality print
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In Édouard Vuillard's evocative painting titled "L’aiguillée" (The Thread) from 1893, the artist masterfully captures an intimate moment steeped in domestic tranquility. The scene is an indoor setting, illuminated by the soft, natural light streaming through a large window. The viewer’s attention is drawn to a figure near the window, actively engaged in the delicate task of threading a needle, which lends the painting its name.The figure, shown in silhouette, contrasts strikingly against the bright daylight. Surrounding the central figure, elements of a calm domestic life unfold. Another partially visible figure interacts subtly with the scene, adding to the atmosphere of quiet concentration. The room is decorated with floral patterns, seen on the curtains and the wallpaper, reflecting the typical interior aesthetics of the time.Vuillard's use of brush strokes and color palette enhances the texture of different materials—from the gauzy transparency of the curtains to the tactile quality of the cloth and upholstery. "L’aiguillée" is not just a simple portrayal of a mundane activity, but a rich, complex composition that invites viewers to contemplate the serene moments of everyday life.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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