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Breton Village original painting by Odilon Redon. Home
Breton Village original painting by Odilon Redon. Home

Breton Village

Odilon Redon
Technique: Giclée quality print
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This painting by Odilon Redon, titled "Breton Village," is a charming depiction of a small rural settlement. At first glance, the artwork captivates with its vivid and bright palette, creating a lively, sunlit atmosphere. The scene is composed of several small houses, most likely made of stone with traditional thatched or tiled roofs, which reflect the typical architectural style found in Brittany, France.The buildings are portrayed with soft, somewhat abstract shapes, emphasizing a dreamlike quality that is characteristic of Redon’s later works. The colors are predominantly warm whites and earth tones, harmoniously contrasting with the cool blues of the expansive sky, which occupies the upper portion of the canvas and adds a sense of openness to the scene.Foremost in the composition, there is an impression of a lush green meadow, brushed with strokes of yellows, greens, and hints of red, suggesting wildflowers or perhaps the changing colors of the vegetation, which adds a textural depth to the painting.Overall, "Breton Village" by Odilon Redon reflects a peaceful rural setting, rendered in a style that combines elements of realism with the artist’s unique approach to color and form, aiming to evoke emotion and atmosphere more than detailed accuracy.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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