Gateway, Tangier (c.1912)

Technique: Giclée quality print
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More about this artwork

"Gateway, Tangier," painted around 1912 by the notable American artist Henry Ossawa Tanner, is a captivating artwork that reflects Tanner's experiences and travels in North Africa. This painting exemplifies Tanner's unique ability to blend elements of Impressionism with his distinctive soft-focused style, portraying both the architectural and human elements of Tangiers with a sense of warmth and introspection.The painting presents an archway that leads to a sunlit courtyard, a characteristic element of Moroccan architecture that encapsulates the interplay of light and shadow. The archway stands prominently in the composition, framed by faded yet vibrant walls tinged in pale blues and greens, suggesting the passage of time and the serene decay of the ancient city.Central to the composition is a figure dressed in a traditional white robe, possibly a Djellaba, that contrasts starkly against the shadowed gateway, drawing the viewer's eye directly to the human element within this urban landscape. This figure, caught in a moment of daily life, is portrayed with an ethereal quality that enhances the painting's dreamlike atmosphere.Tanner’s skillful use of color and light not only highlights the architectural beauty of Tangier but also imparts a sense of the spiritual and mystical, themes often revisited in his body of work. His brushwork suggests the textures of the rough walls and the soft fabrics, creating a tactile experience for the viewer."Gateway, Tangier" is more than just a visual representation; it is an invitation to ponder the quieter moments of daily life in a foreign land, seen through the eyes of an artist who continually sought to transcend the boundaries of race and nationality through his art.

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Henry Ossawa Tanner (June 21, 1859 – May 25, 1937) was an American artist who spent much of his career in France. He became the first African-American painter to gain international acclaim. Tanner moved to Paris, France, in 1891 to study at the Académie Julian and gained acclaim in French artistic circles. His painting Daniel in the Lions' Den (1895, location unknown) was accepted into the 1896 Salon, the official art exhibition of the Académie des Beaux-Arts in Paris. Tanner's Resurrection of Lazarus (1896, Musée d'Orsay, Paris) was purchased by the French government after winning the third-place medal at the 1897 Salon. In 1923, the French government elected Tanner chevalier of the Legion of Honor.