Salome (ca. 1900)

Technique: Giclée quality print
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More about this artwork

"Salome" by Henry Ossawa Tanner, created around 1900, presents a mesmerizing exploration of color, light, and form. In this evocative painting, Tanner captures the haunting figure of Salome, a character whose story is often associated with themes of betrayal and redemption within Christian texts.The artist employs a predominantly dark, cool palette, riddled with blue tones that envelop the scene, contributing to a sense of enigmatic depth. Salome stands elegantly, yet there is a touch of melancholy in her posture and the downward gaze, suggesting the weight of her actions. The diffuse light that softly illuminates her body contrasts powerfully against the deep blues and shadows, drawing viewers into the complexity of her narrative.To the left, the viewer can identify a suggestion of the fateful head of John the Baptist, which Salome requested on a platter—an element that is crucial yet depicted with subtlety. This decision amplifies the emotional intensity of the scene and focuses attention on Salome's introspection.Tanner's interpretation of Salome challenges the typical portrayal of her as merely a villain, encouraging a deeper contemplation of her motivations and consequences.

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Henry Ossawa Tanner (June 21, 1859 – May 25, 1937) was an American artist who spent much of his career in France. He became the first African-American painter to gain international acclaim. Tanner moved to Paris, France, in 1891 to study at the Académie Julian and gained acclaim in French artistic circles. His painting Daniel in the Lions' Den (1895, location unknown) was accepted into the 1896 Salon, the official art exhibition of the Académie des Beaux-Arts in Paris. Tanner's Resurrection of Lazarus (1896, Musée d'Orsay, Paris) was purchased by the French government after winning the third-place medal at the 1897 Salon. In 1923, the French government elected Tanner chevalier of the Legion of Honor.