Strawberries and Champagne (1881-1885)

Technique: Giclée quality print
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More about this artwork

Henri de Braekeleer, a notable figure in 19th-century Belgian painting, gifts us with a captivating still life titled "Strawberries and Champagne". This exquisite work, painted between 1881 and 1885, encapsulates a serene moment, highlighting the beauty found in everyday indulgences.The painting presents a richly textured depiction of a simple yet elegant setting. In the foreground, two plates overflow with ripe strawberries, their vivid reds bursting against the soft, muted tones of the tablecloth. These fresh berries, some whole and others sliced, seem to invite the viewer to reach out and enjoy their sweet taste.Beside the fruit, a vase, lavishly adorned with lush pink and white roses, adds a vibrant touch of life and color. The flowers are painted with delicate brush strokes, capturing the intricacy of their petals and the play of light on their surfaces.To the right, the composition is balanced by the presence of a tall, slender champagne bottle and a flute, suggesting a toast or celebration. The reflection and transparency effects on the glass and bottle demonstrate de Braekeleer's skillful handling of light and texture."Strawberries and Champagne" is not just a visual feast; it is a reminder of the simple pleasures in life. The refined detail and realistic portrayal of the subjects echo the meticulous care the artist invested in this work, making it a beloved piece for viewers to cherish and reflect upon.

Delivery

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Returns

Yes, reproductions can be returned.

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We do not refund shipping expenses.

Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.