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The Teniersplaats in Antwerp (1876) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS
The Teniersplaats in Antwerp (1876) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS

The Teniersplaats in Antwerp (1876)

Henri de Braekeleer
Technique: Giclée quality print
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Henri de Braekeleer’s painting, “The Teniersplaats in Antwerp,” captures a tranquil and introspective moment, offering a glimpse into the everyday life and architecture of 19th-century Antwerp. Set within the intimate confines of an interior space, the painting features a woman seated by a window, her gaze directed outwards, absorbing the bustling scene of the Teniersplaats – a tribute to the quiet moments of urban life.The artwork is remarkable for its meticulous attention to detail and the soft, nuanced interplay of light and shadow. The woman, dressed in a simple, muted attire, serves as a serene anchor to the vibrant life outside. Through the open window, the viewer’s eye is led to the bustling square, dotted with detailed renderings of period architecture and a solitary figure near the square's center. Prominent in the background are the historic buildings of Antwerp, painted with remarkable architectural accuracy.De Braekeleer’s use of perspective masterfully connects the indoors with the outdoors, merging personal space with public spectacle. The contrast between the woman’s peaceful introspection and the dynamic urban scene emphasizes a universal, timeless theme: the search for quiet in the midst of the city’s rhythm.

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Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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