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Seated Woman at the Window reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS
Seated Woman at the Window reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS

Seated Woman at the Window

Henri de Braekeleer
Technique: Giclée quality print
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"Seated Woman at the Window" is a captivating piece by Henri de Braekeleer that invites viewers into a quiet, introspective moment. The drawing shows a woman seated at a small, elegant table, deeply engrossed in reading or writing. Her attention is completely absorbed by the papers in front of her, suggesting a world of thoughts and emotions beyond what is visible.The interior setting is rendered with delicate, detailed lines that give life to the textures of the room—the draped curtains, the patterned cushion, the framed picture hanging on the wall, and the light reflecting off the window pane. The composition masterfully captures the play of light and shadow, contributing to the serene and contemplative atmosphere of the scene.Henri de Braekeleer's work here not only showcases his skill with pencil and his ability to create depth and texture, but also his profound ability to convey subtle narratives through everyday scenes.

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Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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