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Woman Reading (1881-1885) original painting by Henri de Braekeleer. ALL GICLEE PRINTS
Woman Reading (1881-1885) original painting by Henri de Braekeleer. ALL GICLEE PRINTS

Woman Reading (1881-1885)

Henri de Braekeleer
Technique: Giclée quality print
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Henri de Braekeleer's painting "Woman Reading" (1881-1885) captures a quiet, introspective moment steeped in the rich textures and warm tones characteristic of his work. The painting portrays a young woman deeply engrossed in reading a book. Her pose is relaxed yet attentive, with her body slightly leaning forward and her eyes fixed on the pages before her. The setting is intimate, featuring a richly decorated interior with intricate details such as a finely patterned tablecloth, a vase, and plates in the background which suggest a comfortable, lived-in space.The artist's use of light and shadow plays a crucial role in emphasizing the woman’s contemplation and the serenity of the scene. The delicate handling of the paint, particularly in the rendering of the woman's dress and the soft folds of her collar, demonstrates de Braekeleer’s skillful depiction of textures. This scene is not just a simple representation of a woman reading; it is a portrayal of a moment of personal engagement and quietude, inviting viewers to ponder the joys of solitary moments with a book.

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Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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