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Fleur sur un marécage (1885) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS
Fleur sur un marécage (1885) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Fleur sur un marécage (1885)

Odilon Redon
Technique: Giclée quality print
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"Fleur sur un marécage" (1885) is a unique and striking piece by the renowned symbolist artist Odilon Redon. The work features an ethereal flower that evokes a sense of deep contemplation and symbolism. Dominated by dark, rich tones, the painting challenges traditional notions of aesthetic beauty, steering the viewer into a realm of dream-like mystery.At the center of the painting, a large, eye-like blossom captivates one's gaze. The eye, intricately detailed, seems to pulse with life, symbolizing perception and consciousness. Surrounding the eye, the petals, resembling soft, flowing feathers, add a dynamic texture that contrasts sharply with the background. Below the flower, the murky, indistinct terrain suggests a swamp, with vague forms that perhaps allude to the hidden depths where life and decay coexist.Redon’s art often delved into themes of the subconscious and the arcane, and "Fleur sur un marécage" is no exception. Here, the surreal flower hovering over the swamp serves as a metaphor for illumination amidst obscurity, or beauty arising out of the enigmatic and muddled undercurrents of life. This painting is not merely a visual treat but an invitation to explore the mystical interplay between nature and the deeper forces within.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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