Quand s’eveillait la Vie au Fon de la matiere obscure (When life was awakening in the depths of obscure matter (1883)

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The painting "Quand s'éveillait la Vie au Fond de la Matière Obscure" (1883) by Odilon Redon is a profound exploration of the genesis of life, showcasing the artist's unique blend of symbolism and the fantastic. Redon, renowned for his visionary approach to art, invites us into a world where the boundaries of reality and imagination blur.In this work, a luminous creature, bathed in darkness, stares out with an expression mingled with curiosity and bewilderment. This beast, which resembles a spectral amalgamation of a calf and a human face, floats in an obscure, shadowy environment that seems both aquatic and cosmic. This enigmatic entity captures the moment life stirs in the impenetrable depths of matter, embodying the awakening of consciousness.Above the creature, mysterious orbs of light hover, resembling celestial bodies or microscopic organisms, suggesting a scale both vast and minute. This duality emphasizes the universality of life's emergence, from the infinitesimal to the cosmic, a theme central to Redon's oeuvre. The dark, heavily shaded background enhances the illumination of the figure, directing the viewer's focus to the surreal and the unknown aspects of creation.Odilon Redon's "Quand s'éveillait la Vie au Fond de la Matière Obscure" is more than a mere depiction; it is an invitation to ponder the profound mysteries of existence. It represents a moment suspended in time, where life, in its nascent stages, transitions from the unseen to the seen, from oblivion into being.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.