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La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves (1883) reproduction of painting...
La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves (1883) reproduction of painting...

La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves (1883)

Odilon Redon
Technique: Giclée quality print
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In the captivating artwork "La sirene sortit des flots vetue de darts" by Odilon Redon, created in 1883, we are invited to delve into a hauntingly beautiful vision that transcends the traditional portrayal of mythical sea creatures. This piece portrays a siren emerging from the waves, not adorned with the usual enchanting beauty, but rather cloaked in an array of stark, needle-like barbs that add a sense of enigmatic danger and allure to her presence.The siren, traditionally a symbol of seduction and peril on the sea, is depicted here with a calm, almost introspective expression, contrasting sharply with the harsh, defensive texture of her barbed attire. This intriguing juxtaposition might suggest a deeper narrative about vulnerability and the shields we put up against the outside world.Redon's use of dark, swirling tones and the murky ambiance of the ocean heightens the mystical quality of the scene, drawing viewers into a world where beauty intertwines with the grotesque. The artist's command of light and shadow, combined with his unique interpretation of mythical figures, makes this painting an enduring piece that challenges viewers' perceptions while captivating their imagination.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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