Moses Smashing the Tablets of the Law (1659)

Technique: Giclée quality print
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More about this artwork

This compelling painting by the master Dutch artist, Rembrandt van Rijn, depicts a powerful and tempestuous event from the biblical narrative of Moses. Created in 1659, the artwork captures the moment when Moses, upon descending from Mount Sinai and witnessing his people worshipping the Golden Calf, is overcome with rage and despair. In a turbulent expression of wrath, he throws down the stone tablets inscribed with the Ten Commandments, breaking them at the foot of the mountain.Rembrandt's portrayal is vivid and full of emotion. Moses is central in the composition, his face wearing a complex expression of anger and sorrow. His eyes, lit with fervor, convey his profound disappointment and wrath towards his people's betrayal. The tablets are rendered in significant detail, with Hebrew inscriptions clearly visible, affirming the sanctity of the law that has been broken.The artist's use of chiaroscuro—masterful play of light and shadow—intensifies the drama, highlighting Moses' furrowed brow and clenched fists, and throwing the tablets into stark relief against the dark, tumultuous background. The rich textures of Moses' flowing robe and the rugged stones enhance the gravity of the scene.This painting not only serves as an illustration of a biblical event but also as an exploration of human emotion and moral conflict. Rembrandt’s skill in capturing the human soul in moments of crisis and decision is fully evident, making "Moses Smashing the Tablets of the Law" not just a religious statement, but a profound human drama captured on canvas.

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Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies.