Sita (1882–1898)

Technique: Giclée quality print
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More about this artwork

Dive into the mystical world conjured by the French Symbolist painter Odilon Redon in his evocative piece, "Sita" (1882-1898). This painting, an enchanting fusion of vibrant colors and ethereal imagery, transports viewers to a realm of dream-like spirituality."Sita" features a serene and contemplative female figure adorned with a richly jeweled hat, her face illuminated by a radiant halo. Her expression is introspective and poised, suggesting a deep spiritual or mystical engagement. The background is a mesmerizing deep blue, speckled with stars, enhancing the celestial feel of the artwork. To the left, an enigmatic golden egg-like shape floats, adding to the overall mystery and symbolic complexity of the painting.Redon’s use of contrasting colors and textures invokes a sense of profound mystery and allure. The intense blue tones of the backdrop and the glowing outline of the halo create a stark, captivating contrast with the soft earthy colors of the mysterious object and the subtle details of the figure's attire."Sita," named perhaps after the goddess from Hindu mythology, encapsulates themes of divinity, femininity, and introspection. This artwork invites viewers to delve into the spiritual and mythical, encouraging a personal interpretation and connection with the divine feminine.

Delivery

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Returns

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.