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The Piazza San Marco (ca. 1739) reproduction of painting by Canaletto. ALL GICLEE PRINTS
The Piazza San Marco (ca. 1739) reproduction of painting by Canaletto. ALL GICLEE PRINTS

The Piazza San Marco (ca. 1739)

Canaletto
Technique: Giclée quality print
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The Piazza San Marco, painted by the Venetian master Canaletto around 1739, offers a remarkable and lively glimpse into 18th-century Venice. This artwork captures the grandeur and daily life of Venice's principal public square, known for its architectural beauty and cultural significance.In the painting, the viewer's eye is drawn to the meticulous representation of the architectural details of the Procuratie Vecchie on the left and the Procuratie Nuove on the right, with their splendid arcades hosting rows of shops and cafes. The sense of depth and perspective is enhanced by the elongated shadows and the skillful use of light, characteristic of Canaletto’s technique.The square is bustling with activity: vendors sell their goods under small tents, groups of elegantly dressed figures converse or stroll, and a lone dog meanders by its master. Notably, the two tall masts, known as flagstaffs, rise majestically against a lightly clouded sky, possibly preparing for a festivity or a ceremonial display. At the square’s far end stands the richly decorated façade of the Basilica di San Marco, partially obscured yet hinting at its religious and political significance to Venice.

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Canaletto
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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.

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