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Campo Santa Maria Zobenigo, Venice (1730s) reproduction of painting by Canaletto. ALL GICLEE PRINTS
Campo Santa Maria Zobenigo, Venice (1730s) reproduction of painting by Canaletto. ALL GICLEE PRINTS

Campo Santa Maria Zobenigo, Venice (1730s)

Canaletto
Technique: Giclée quality print
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Discover the enchanting world of Venice through Canaletto's eminent painting titled "Campo Santa Maria Zobenigo, Venice," created in the 1730s. This masterpiece superbly captures the essence of Venetian daily life alongside its architectural grandeur during the eighteenth century.The scene is set in Venice's Campo Santa Maria Zobenigo, a public square adorned with historic buildings and bustling with life. At the forefront of the painting rises the magnificent Santa Maria del Giglio Church, showcasing an elaborate Baroque façade. Intricate sculptures and carvings embellish the church, reflecting sunlight and casting subtle shadows that evoke a three-dimensional feel.The surroundings are filled with Venetian citizens and visitors, depicted in various activities that offer a glimpse into the era's social tapestry. Figures are seen conversing, strolling, and going about their daily tasks, animating the square with a refined representation of communal interaction.Canaletto's expert use of perspective and meticulous attention to detail not only immortalizes the architectural beauty of Venice but also vibrates with the city's lively atmosphere.

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Canaletto
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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.

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