Venice, the Bacino di San Marco from San Giorgio Maggiore (c. 1735 - 1744)

Technique: Giclée quality print
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More about this artwork

Explore the breathtaking vistas of 18th-century Venice in Canaletto's masterpiece "Venice, the Bacino di San Marco from San Giorgio Maggiore." Painted between approximately 1735 and 1744, this stunning artwork captures the vibrant activity and architectural grandeur of Venice with meticulous detail and a profound understanding of light and atmosphere.The painting provides a panoramic view from the island of San Giorgio Maggiore, looking towards the heart of the Venetian Republic. The viewer's eye is drawn across a bustling scene of the Bacino di San Marco, filled with an array of boats, from gondolas to larger sailing ships, illustrating the city's bustling trade and maritime prowess.Key elements of Venice's iconic skyline are visible, including the majestic dome of Santa Maria della Salute and the towering Campanile in St. Mark’s Square. These architectural marvels are portrayed with Canaletto's characteristic accuracy, allowing one to appreciate the city's renowned landmarks amidst daily life scenarios that unfold along the waterfront.Foreground details enrich the painting's narrative: figures engaged in conversation, workers unloading cargo, and elegantly dressed Venetians, offer a glimpse into the social and economic life of the era. The calm water reflects the soft sky, further emphasizing Canaletto’s skill in capturing the light and color that make Venice eternally captivating.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.