Venice, the Bacino di San Marco from the Canale della Giudecca (c. 1735 - 1744)

Technique: Giclée quality print
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More about this artwork

Canaletto, a master of Venetian view painting, offers a captivating glimpse into the heart of 18th-century Venice with his work, "Venice, the Bacino di San Marco from the Canale della Giudecca." This painting, crafted between approximately 1735 and 1744, serves as a stunning visual chronicle that encapsulates the vibrancy and grandeur of Venice during its heyday.The scene is set from the perspective of the Canale della Giudecca, providing a broad and detailed view of the Bacino di San Marco. This bustling harbor scene is alive with activity. Various types of vessels, ranging from utilitarian fishing boats to elegant gondolas and grand ships, adorn the water, emphasizing Venice’s identity as a maritime power. Each boat is depicted in meticulous detail, demonstrating Canaletto’s commitment to realism and his extraordinary skill in rendering light, shadow, and texture.Prominent in the painting are the architectural marvels of Venice, which line the shores. These structures are depicted with architectural accuracy and are bathed in a soft, radiant light that highlights their exquisite facades. Among these, the majestic church on the right stands out as a focal point, its white façade and graceful campanile reflecting the artistic and religious heritage of the city.Canaletto’s use of light and color brings a serene atmosphere to the scene. The expansive sky, scattered with soft clouds, casts a gentle light over the city, enhancing the tranquil mood of a typical Venetian day.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.