Lion And A Book

Technique: Giclée quality print
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More about this artwork

This painting by Edward Penfield, titled "Lion and a Book," is an intriguing and somewhat whimsical piece. It features a lion standing upright in a very human-like pose, holding a book open as though reading it. The lion's expression is calm and thoughtful, adding a surreal and somewhat amusing quality to the image. To the right of the lion, there is a small depiction of what appears to be a calf or a young deer, looking towards the lion, possibly suggesting a narrative or symbolic connection between the two creatures.The style of the drawing is simple yet expressive, with strong outlines and minimal shading, giving it a stylized and graphic quality that is typical of Penfield's work. The entire scene is set against a plain background, which emphasizes the subjects and adds to the illustrative quality of the piece.Overall, "Lion and a Book" blends elements of the natural world with human characteristics in a way that is characteristic of certain strands of graphic illustration from the early 20th century, suggesting themes of knowledge, power, and perhaps the unexpected nature of enlightenment.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Edward Penfield (1866-1925) was an influential American poster artist, considered as the father of the American poster movement. He was employed as an art editor for Harper’s Weekly, Monthly, and Harper’s Bazaar, where he made posters advertising each issue of the magazine for over seven years. His art was avant-garde with less concern for the dramatic curving lines of Art Nouveau, inspired by Japanese ukiyo-e block prints, figure drawings by Henri de Toulouse-Lautrec, color lithographies by Jules Chéret, and other contemporary artists. He created simplified scenes of daily life in saturated colors, including horses, cats, sports, and women’s fashion.