Horse Carriage

Technique: Giclée quality print
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More about this artwork

In the painting "Horse Carriage" by Edward Penfield, we observe a scene from a bygone era, skillfully depicted in a limited color palette that adds a distinct charm and elegance. The artwork features a horse-drawn carriage, an icon of early 20th-century transportation.The composition places a strong, dark horse on the left, harnessed and connected to the carriage. The horse stands with a confident posture, which suggests strength and reliability, typical traits admired in carriage horses of the time.To the right, we see a coachman seated on the carriage. He is dressed in traditional attire with a hat, a long coat, and his face shows a stern, focused expression, as if attentive to his duties. His positioning and attire suggest a sense of responsibility and professionalism.Next to the carriage, there are two women interacting. One woman, wearing a striking yellow dress, stands confidently as she appears to be boarding or alighting from the carriage. The other, in a grey-blue outfit and detailed with a braid and a hat, faces her, possibly assisting or engaging in conversation. Their refined and elegant clothing indicates their societal status and the formal nature of their outing.The whole scene is encapsulated within a thick, dark border, which frames the action and draws the viewer’s attention to the figures and the horse.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Edward Penfield (1866-1925) was an influential American poster artist, considered as the father of the American poster movement. He was employed as an art editor for Harper’s Weekly, Monthly, and Harper’s Bazaar, where he made posters advertising each issue of the magazine for over seven years. His art was avant-garde with less concern for the dramatic curving lines of Art Nouveau, inspired by Japanese ukiyo-e block prints, figure drawings by Henri de Toulouse-Lautrec, color lithographies by Jules Chéret, and other contemporary artists. He created simplified scenes of daily life in saturated colors, including horses, cats, sports, and women’s fashion.