Woman Holding Umbrella

Technique: Giclée quality print
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More about this artwork

This painting by Edward Penfield, titled "Woman Holding Umbrella," presents a strikingly stylistic and simplified depiction of a woman. She is shown in profile, suggesting a sense of poised elegance and movement. The woman is dressed in a vibrant blue dress with an ornate pattern of red loops accented with thin yellow lines, likely representing a type of ribbon or trim. This style is characteristic of the Art Nouveau movement, popular during Penfield's time, which emphasized decorative arts and vibrant, flowing designs.Her dress features interesting shape and texture, a complement to the delicate hat adorned with feathers and flowers, adding a touch of complexity against her otherwise simplified form. She carries an umbrella in one hand, contrasting sharply in red against the blue of her dress. This accessory, coupled with her attire, could suggest that she is prepared for or returning from an outing.The background is minimalistic, a light greenish-yellow that further accentuates the bold colors of her apparel and accessory. The overall composition focuses on clean lines and flat areas of color, emphasizing the graphic qualities typical of Penfield's work in the poster and advertising art spheres.The posture of the woman and her facial features, while minimal, convey a sense of resolute direction and gentle grace, possibly capturing a moment of transition, either seasonally or in the personal context of the figure's day. Penfield's work often communicates a narrative through subtle cues within straightforward compositions, leaving some details to the viewer's imagination.

Delivery

Reproductions are made to order and take 5 to 7 working days.

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Returns

Yes, reproductions can be returned.

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We do not refund shipping expenses.

Edward Penfield (1866-1925) was an influential American poster artist, considered as the father of the American poster movement. He was employed as an art editor for Harper’s Weekly, Monthly, and Harper’s Bazaar, where he made posters advertising each issue of the magazine for over seven years. His art was avant-garde with less concern for the dramatic curving lines of Art Nouveau, inspired by Japanese ukiyo-e block prints, figure drawings by Henri de Toulouse-Lautrec, color lithographies by Jules Chéret, and other contemporary artists. He created simplified scenes of daily life in saturated colors, including horses, cats, sports, and women’s fashion.