Bouquet in a Chinese Vase

Technique: Giclée quality print
Recommended by our customers
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Finishing (pick one!)

More about this artwork

The painting features a lively and colorful bouquet of flowers arranged in a decorated Chinese vase. The vase is elegant, with a subtle off-white color accented with tiny marks and a simple design of a small flower on its front. It rests against a monochromatic and richly hued background that intensifies the vibrancy of the flowers. The flowers are varied, both in type and color, including pale white blooms and vibrant oranges, deep reds, and sunny yellows. Some flowers appear dainty and delicate, while others are bold and eye-catching. Notably, a large, soft pink poppy with intricate details stands prominently towards the right side of the bouquet. The arrangement exudes a natural, almost wild charm, as if the flowers were freshly picked from a garden and placed in the vase with care yet casual grace.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.