Bouquet of Flowers

Technique: Giclée quality print
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More about this artwork

The painting "Bouquet of Flowers" by Odilon Redon portrays a vibrant and eclectic array of flowers arranged in a decorative blue vase. This work is characteristic of Redon's later period, which is known for its bright colors and dreamy quality. Unlike his earlier, more somber noirs, this painting bursts with a lively palette that includes rosy pinks, deep reds, stark whites, blues, and purples, brought out vividly against a neutral, dusky background.Each flower in the bouquet offers different shapes and textures, suggesting a variety in species and sizes, giving the impression of a wild, natural gathering rather than a carefully curated selection. This adds a spontaneous, almost whimsical quality to the work. The flowers, overflowing from the vase, seem to spread out as if reaching toward the light, which symbolically could represent an eruption of optimism or joy.The vase itself is a deep cobalt blue with hints of crimson and white, which could be reflections or a depiction of its intricate design. Its rich, jewel-tone color provides a striking contrast to the multitude of flowers, further highlighting their diverse colors.Overall, the painting elicits a sense of enchantment and mystery typical of Redon’s works, inviting viewers to explore not only the beauty of nature but also the emotional resonance colors and forms can convey.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.