Nu sur un divan (1920)
Technique: Giclée quality print
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Jules Pascin, a Bulgarian-born painter known for his delicate and sensitive approach to portraiture, created the enigmatically beautiful "Nu sur un divan" in 1920. This work, a masterful example of early 20th-century modernism, showcases Pascin's unique talent for capturing the ephemeral qualities of human character and form.This painting features a reclining nude figure, a common subject in Pascin's works, lying effortlessly across a plush divan. The figure's relaxed posture and the soft, fluid lines that define her form underscore a sense of vulnerability and introspective calm. Pascin employs a muted palette dominated by pastel blues, greens, and earth tones that harmonize the subject with her surroundings, blurring the boundaries between the figure and the divan. This subtle integration enhances the intimacy of the moment portrayed.The expression of the woman, with eyes closed and arms gently raised to frame her head, suggests a moment of serene withdrawal from her environment. Pascin's brushwork is commendably loose, granting the painting an almost impressionistic feel, yet every stroke contributes to an overall impression of tender observation."Nu sur un divan" not only exemplifies the thematic focus on the human figure typical of Pascin’s oeuvre but also reflects broader shifts within artistic movements of the time, transitioning from the structured forms of traditional portraiture to more fluid, expressive techniques that would define modern art.
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Nudes, street scenes and landscapes of women and tropical locations by Bulgarian-born American painter Jules Pascin (1885-1930). Born to an affluent family, Pascin was educated in Austria and Germany before moving to Paris in 1905. It was there that he became associated with the Modernist movement. He attached himself to the human condition and was known for painting portraits of nude and half-dressed women. He stands in the grand tradition of the romantic, bohemian artist.