Laocoon in the toils (1911)

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"Laocoon in the Toils" is an evocative painting created by Udo Keppler in 1911, which masterfully blends symbolism with historical allegory. Set against the backdrop of an imposing classical landscape, possibly an interpretation of ancient Troy, the painting depicts the powerful figure of Laocoon, a mythological priest, enveloped in the deadly embrace of monstrous serpents.In this vivid portrayal, Keppler doesn't just show Laocoon fighting against the serpents, as per the traditional myth. Instead, he incorporates a modern twist—each serpent bears the inscriptions "Standard Oil" and "U.S. Steel", referencing major American monopolistic corporations of Keppler's era. This choice of imagery suggests a commentary on the perilous grip of corporate greed and monopolistic power over the individual or society, echoing the classical story of Laocoon who warned the Trojans against the Greeks bearing gifts.Laocoon's muscular form and strained expressions amplify the intense struggle and despair, while his assailants—men dressed in suits—transform the scene into a contemporary battle rather than a mere mythological event. The dynamic composition, robust color palette, and the urgent movement of the figures contribute to a sense of imminent danger and dramatic tension.Udo Keppler, being an illustrator and political cartoonist known for his sharp critique of social and political issues, uses this painting to deliver a poignant message about the overreaching influence of powerful entities, drawing a parallel between mythic warnings and modern-day economic battles.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.