The alarm (1911)
Technique: Giclée quality print
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The captivating artwork titled "The Alarm" by Udo Keppler, painted in 1911, presents a visually compelling and satirical depiction of a political scenario. In this illustration, a multitude of figures are depicted in a frantic and precarious ascent on a towering structure labeled "Reciprocity." At the pinnacle of this fortress-like building rests a sign “Monument: President Taft,” indicating a direct reference to President William Howard Taft and his political policies.The scene is set under a night sky, enhancing the dramatic and urgent atmosphere as these figures, clothed in turn-of-the-century attire, struggle and clamber atop one another in an effort to reach the top. Below them, a group of smug-looking men, possibly representing politicians or influential businessmen, watch on with expressions of amusement or discussion, seemingly unaffected and distant from the chaos unfolding.This painting serves as a poignant critique and a vivid allegory of the political climate and policies during President Taft's administration, specifically targeting the struggles and climb surrounding the concept of 'Reciprocity' in trade policies. Keppler’s use of dark, moody colors and the vertical composition intensifies the sense of desperation and the arduous climb faced by the determined figures.
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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.