Monuments of civilization (1914)
Technique: Giclée quality print
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"Monuments of Civilization" (1914) by Udo Keppler presents a compelling juxtaposition of the old and new facets of human progress. In the upper half of the painting, we see a harmoniously structured modern edifice representing the Rockefeller Institute for Medical Research. It symbolizes the pinnacle of modernity and scientific advancement, dedicated to conquering diseases through medical science and vivisection, as suggested by the proclamation on the scroll held by a peaceful, angelic figure.In stark contrast, the lower half of the artwork plunges the viewer into a raw, primal scene with a bearded and weary-looking woodsman surrounded by dark, gnarled trees in a foreboding forest. He is depicted in the act of digging, possibly mining, which represents the traditional and labor-intensive methods humans once used to interact with and manipulate their environment.Keppler's illustration dramatically captures the transition from the crude exploitation of nature to the sophisticated manipulation of biology for healing, highlighting the breadth of human endeavor and the evolving interpretation of what constitutes a monument of civilization.
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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.