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Figure devant un arbre reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Figure devant un arbre

Odilon Redon
Technique: Giclée quality print
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We invite you to explore the evocative charm of Odilon Redon’s work, "Figure devant un arbre" (Figure in Front of a Tree). This painting captures a serene, almost mystical figure, seamlessly integrated with the natural world. The use of muted and earthy tones evokes a sense of tranquility and introspection. The figure, depicted in profile, stands close to a tree, suggesting a deep, unseen connection to the environment.Redon's mastery in using both light and texture to convey emotion is evident in the subtle contrast between the shadowed figure and the vibrant, yet soft, background hues. The intricate detail in the foliage and the luminescent patches of color contribute to a dream-like quality that is typical of Redon’s works. This painting encourages the viewer to pause and reflect, perhaps to find their own connection with the natural world around them.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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