Head within an Aureole (about 1894–1895)

Technique: Giclée quality print
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1894–1895)Odilon Redon, known for his evocative and sometimes eerie works, blends mysticism and symbolism beautifully in "Head within an Aureole". This painting, typical of Redon's unique style, depicts a human head at the center of a radiant aureole, set against a subtly textured, monochromatic background that borders on the ethereal.The focal point, a dark, shadowy face, peers out from a luminous, circular halo, detailed with vibrant shards of blue and touches of pink, suggesting a celestial or divine presence. The blue streaks radiate outward, reminiscent of starlight expansion across the vastness of space, giving the impression that the head is not just encircled by light but also emerging from it or perhaps orchestrating its brilliance.The enigmatic facial expression is subdued and contemplative, inviting viewers to reflect on the themes of inner vision and the metaphysical world. Redon’s technique, merging pastel and perhaps charcoal on paper, adds a dream-like quality to the artwork, evoking feelings of introspection and spirituality."Head within an Aureole" is a sublime representation of Redon’s interest in the invisible and the seen, encouraging a meditative gaze into what could be interpreted as the human soul or mind illuminated by its own metaphorical brilliance.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.