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Le Buddha (1895) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Le Buddha (1895)

Odilon Redon
Technique: Giclée quality print
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"Le Buddha" (1895) by Odilon Redon is a striking and enigmatic lithograph that invites viewers into a mystical and introspective realm. At the center of this composition stands the figure of Buddha, depicted with an aura of serene wisdom. The figure is enveloped by a deeply textured, almost celestial background that seems to pulsate with cosmic energy. Above the Buddha, a luminous moon or celestial body casts an ethereal light, adding to the overall sense of otherworldly transcendence.This artwork is a superb representation of Redon's affinity for exploring the intersection of visible reality and the unseen spiritual dimensions. The use of monochromatic tones enhances the dreamlike quality, making the painting not just a visual experience but also a meditative journey. The intense gaze of the figure and the sweeping curves of the surrounding space invite contemplation, perhaps reflecting Redon's own interests in spirituality and the inner landscapes of the human psyche.Redon, a master of Symbolism, often ventured beyond the tangible, and in "Le Buddha," he invites us to ponder the deeper significances of enlightenment and the universality of human experience in relation to the cosmos.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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