Affiche voor het toneelstuk Vénise sauvée van Thomas Otway (1895)

Embarking on a journey through Jan Toorop's mystical creation, the poster for the play "Venise sauvée" by Thomas Otway, viewers are treated to a masterful blend of symbolism and Art Nouveau style. Crafted in 1895, this intriguing artwork serves as an advertisement, yet it transcends mere commercial appeal, inviting deep contemplation and artistic admiration.At first glance, the central figures in the painting, poised in an intimately close posture, draw the viewer's attention. Their faces, almost merging, suggest a profound connection or perhaps an emerging narrative from the play itself, reflecting themes of unity and drama. The stark contrast between their detailed profiles and the flowing, almost flame-like hair adds a dynamic movement to the piece, echoing the tumultuous nature of Otway's storyline.Beneath these figures, the image transforms into a haunting depiction of a face or mask, submerged in water. This lower segment might symbolize the undercurrents of political and personal intrigue in "Venise sauvée," which is set in Venice during a precarious time. The rippling water around the mask enhances the feeling of depth and mystery, suggesting the hidden depths of human motives and secrets.The perimeter of the poster is intricately adorned with rows of smaller faces or masks, each bearing a different expression. These could be interpreted as the various characters or perhaps the emotional spectrum displayed throughout the play, highlighting the drama and intensity of the theatrical experience.In addition to its visual elements, the poster is practical, bearing essential details about the play such as the contributors and a notable address, positioned cleverly without disrupting the artistic integrity of the work.