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Vase De Fleurs (1910) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Vase De Fleurs (1910)

Odilon Redon
Technique: Giclée quality print
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Explore the delicate and vibrant world of Odilon Redon's "Vase de Fleurs" (1910), a captivating example of the artist’s transition into pastel and bright colors from his earlier, more somber charcoal and lithograph works. This painting, with its soft yet spirited hues, showcases a bouquet of flowers bursting with life. The bouquet is composed of vivid orange blossoms, paired harmoniously with light blue daisies and sprinkles of greenery, all contained in a gracefully muted vase. Redon’s careful attention to the subtle gradations of light and color reflects his unique ability to blend reality with a dream-like atmosphere. "Vase de Fleurs" embodies a sense of tranquility and allure, pulling the viewer into a serene, painterly embrace that highlights the beauty of the natural world through the artist’s visionary eyes.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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