Salvation is free, but it doesn’t appeal to him (1912)
Technique: Giclée quality print
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"Salvation is Free, But It Doesn't Appeal to Him" (1912) by Udo Keppler is a compelling piece of political satire rendered in vibrant colors and dynamic composition. This illustrative painting captures a moment of high political drama with a humorous undertone, characterizing the early 20th-century American political landscape.The painting features a large elephant, symbolizing the Republican Party, struggling in deep water near a dock. On its back, a group of men, representing key Republican figures, seem weighed down by their own dismay and disbelief. These men are depicted clinching onto the elephant and each other, portraying a state of panic and lack of unity.In the foreground, an enthusiastic man labeled "Roosevelt" stands in the water, gesturing dramatically as if attempting to lead or save the elephant and its riders. His zeal contrasts starkly with the elephant's reluctant demeanor and the disarray among the riders.Onlookers, from different classes and backgrounds, gather around the scene. Some are on a nearby bridge observing passively, while others at the dock appear more engaged. Each spectator's expression and stance add to the narrative of public reaction to political events, ranging from indifference to keen interest.The artwork cleverly uses symbolism and caricature to comment on political tensions, leadership challenges, and the general public's engagement during this period.
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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.