Sopla. (Blow.) (1796-1797)

Technique: Giclée quality print
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More about this artwork

This riveting etching titled "Sopla" (Blow) by Francisco de Goya, a significant figure in Spanish art, captures a scene brimming with drama and dark intensity. As part of his famed series of prints, this work is exemplary of Goya's ability to blend the real with the surreal, creating visions that continue to provoke and fascinate.The etching shows an elderly, gaunt figure standing in the center, engaged in an unsettling interaction with a younger, also skeletal figure seated below, who appears to be blowing into a burning ember held by the elderly figure. The action suggested by the title, "Blow," adds a dynamic element to the scene, implying a continuation of life or energy.Adding to the eerie atmosphere, multiple faces surround the central figures—some more pronounced and others fading into ghostly apparitions in the background. A crouched figure is half-hidden in shadows to the left, intensifying the sense of despair and mystery. This imagery may reflect Goya's commentary on the human condition, touching on themes of decrepitude, madness, and the supernatural.Goya's mastery in using chiaroscuro (the contrast of light and dark) enhances the dramatic effect, creating a stark, compelling visual narrative that draws the viewer into a moment that is both specific and universal, reflecting deep, often unsettling, human emotions and experiences."Sopla" is not only an artwork but a profound commentary on the depths of human experience, showcasing Goya's fearless approach to exploring and depicting the darker sides of the psyche.

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Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.