In the name of labor (1912)

"In the Name of Labor," created by Udo Keppler in 1912, is a compelling piece of visual commentary that captures the tensions and discussions surrounding labor policies of early 20th century America. This vividly colored, politically charged painting presents a stark representation of the impact of protectionist policies on American and foreign labor.At the center of this artwork, a dominant figure, cloaked in an outfit decorated with the words "Protected American Labor," grasps clearly marked documents that advocate for the protection of American labor. This character stands beside another figure, representing a government official or a businessman, who subtly guides and influences the central figure. This interaction suggests the connection and potential collusion between governance and vested interests in setting labor policies.In the foreground, an everyday laborer, labeled as "cheap labor," appears cheerful yet unknowingly marginalized, emphasizing the potential disconnect between political rhetoric and the actual conditions of workers. In the background, the symbolic "boat of foreign labor"—packed with people—is being physically pushed out, indicative of the exclusionary practices resulting from such protectionist policies.The scene is set against an industrial backdrop, with factories and smoke, underlining the era's industrial growth and the labor dynamics that fueled it. Dark stormy clouds loom, suggesting ominous consequences or the brewing of further discontent.Through "In the Name of Labor," Keppler provides a critical examination of the early American labor landscape, illustrating the complex interplay of economics, politics, and human resilience.