Au Parc (1882)
Technique: Giclée quality print
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We invite you to immerse yourself in the serene and picturesque moments of daily life captured in Camille Pissarro's charming watercolor painting titled "Au Parc". Developed in 1882, this graceful artwork reflects Pissarro’s deft hand and heartfelt appreciation for the natural settings intertwined with human interaction.In this soft-hued scene, Pissarro depicts a moment of tender care and quiet companionship in an airy park setting. The central figures, a woman and a young child, are positioned delicately beside a perambulator suggesting a gentle stroll halted for a brief pause. The woman, dressed in a flowing blue gown, attentively adjusts the bonnet of the child, instilling a sense of care and maternal affection.The backdrop reveals a vast expanse of lush parkland highlighted by daubs of greens and blues that suggest the play of light and shadow under an open sky. This choice of a minimalist and almost impressionistic background focuses our gaze even more on the intimate action between the two figures, enhancing the feeling of a secluded, peaceful slice of life.Pissarro’s mastery in capturing everyday simplicity with emotional depth makes "Au Parc" a delightful viewing experience. This work not only showcases his skill with watercolor but also his enduring love for scenes of rural and suburban tranquility, reflecting the Impressionist’s commitment to portraying life's quiet, often overlooked moments.
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro
Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism.