Study Of A Horse, Brittany
Technique: Giclée quality print
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The painting "Study Of A Horse, Brittany" by Samuel Colman is a beautifully rendered watercolor that captures the essence of a working horse in the region of Brittany. The artist has skillfully depicted the horse with a gentle realism, showing a tranquil pose that suggests a moment of rest or contemplation. The horse’s head is slightly turned, drawing attention to its soft, calm gaze and well-defined facial features, including the flaxen mane that sweeps across its head and neck.Colman has used a muted palette of earthy tones, imbuing the painting with a warm, rustic feel. The textures in the painting are excellently conveyed; the roughness of the horse’s equipment contrasts with the smoothness of its coat, highlighting the horse’s strength and the wear of its harness and gear. The inclusion of coarse ropes and a saddle depicts the horse as a beast of burden, likely used for work.The background is indistinct, employing washes of color that suggest a vague setting, allowing the viewer to focus mainly on the horse itself. This choice places all emphasis on the animal, turning the piece into an intimate study rather than a descriptive scene. Overall, Colman has created a piece that not only showcases his skill with watercolor but also portrays a serene snapshot of rural life, reflecting both the beauty and servitude of a working horse in Brittany.
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Samuel Colman (1832-1920) was an American designer, painter and writer, best known for his paintings of the Hudson River. A son of a bookstore owner in19th century New York, he may have been influenced by the artistic clientele from his early days to delve into the world of Arts. He attended Hudson River School under the guidance of his teacher, Asher Durand. He was one of the founding members and the first president of The American Watercolor Society, and also an avid traveler, exploring France, Spain and the Mediterranean. His travels inspired his works of beautiful foreign landscapes.