Hevosharjoitelma

Technique: Giclée quality print
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More about this artwork

Alfred William Finch's poignant sketch "Hevosharjoitelma" masterfully captures the grace and physicality of a horse. This artwork showcases Finch’s skill in using delicate pencil strokes to detail the sleek form and muscular build of the animal. The horse is positioned in a profile view that emphasizes its elegant neck and robust haunches, an angle that conveys both the strength and the gentle nature of the equine subject.Finch's technique in rendering the subtle shadows and highlights on the creature’s body highlights his profound understanding of equine anatomy—each muscle and tendon is carefully defined, providing the drawing with a vibrant sense of realism. The absence of a background focuses all attention on the horse itself, making it a striking example of Finch's artistic prowess.This drawing not only reflects Finch’s ability to translate the essence of his subjects onto paper but also demonstrates an intimate celebration of the natural world.

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Alfred William Finch (1854-1930) was a Neo-Impressionist artist born to British parents in Brussels, Belgium. His works utilized the color palette and Pointillism technique, which were shared by other significant figures of the Neo-Impressionism movement, including Paul Signac, Camille Pissarro, and Georges Seurat. Finch was among the founding members of Les XX (Les Vingt), a group of twenty artists based in Brussels that challenged antiquated and conservative artistic traditions and academism. The group held annual art exhibitions, greatly influencing the development of Neo-Impressionism. In his later years, Alfred William Finch also produced ceramics and pottery, decorated with a fusion of his familiar Neo-Impressionism, Arts and Crafts, and Belgian Art Nouveau styles. His artworks primarily portray the atmospheric beauty of nature and the countryside along the Channel coast. Alfred William Finch spent the majority of his artistic career in Helsinki, where he passed away in 1930.