Still Life (1643)

Technique: Giclée quality print
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More about this artwork

Pieter Claesz's "Still Life" from 1643 emerges as a masterful work that captures the intricate subtleties of light, texture, and composition for which Dutch still-life paintings are renowned. At the heart of this painting lies a large glass of golden-hued wine, its reflection and refraction expertly rendered to give an almost tactile sense of the glass's cut patterns. Accompanying this main element are oysters on a pewter plate, their delicate inner surfaces shimmering against the soft grey background. Adjacent to the plate rests an ornate silver tazza, a small box possibly for spices, and half-peeled lemon whose vivid peel adds a hint of color and texture contrast. Beside these, a finely curled lemon peel and a discarded silver fork enhance the composition's elegance, while crumpled papers maybe including seals, hint at human presence, suggesting a narrative paused in time.Pieter Claesz’s meticulous attention to detail not only underscores his command of oil painting techniques but also evokes a quiet contemplation of beauty in everyday objects. This artwork invites viewers to pause and reflect on the simplicity and transient nature of life, a theme echoed in the ephemeral nature of its subjects.

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Pieter Claesz was a Dutch Golden Age painter of still lifes.

He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born (October 1). He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece.