Still Life with Tazza (1636)
Technique: Giclée quality print
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"Still Life with Tazza," a painting by Pieter Claesz, created in 1636, is a captivating exploration of texture and reflection, masterfully capturing the quiet elegance of everyday objects. This piece is a stunning example of the still life genre, showcasing Claesz’s exceptional ability to depict light and shadow to create a serene, almost introspective atmosphere.The painting features a carefully arranged assortment of items typically found in a 17th-century Dutch setting. A partially peeled lemon rests on a pewter plate, its rind curling delicately. Nearby, a sumptuous bread roll displays a torn crust, suggesting a moment paused. Olives and a broken nut further populate the plate, contributing to the sense of abundance.A prominent feature in the composition is the ornate tazza, or stemmed cup, on the right. Its reflective silver surface intricately captures and bends the light around it, creating subtle reflections and shadows, showcasing Claesz's skill in rendering different textures and materials. Beside it, a large glass filled with water adds a contrasting element of transparency and simplicity.In the background, subtle details like a watch on a chain and a book partially covered by the large overturned pewter lid hint at themes of temporality and perhaps the transitory nature of life—common motifs in Dutch still life paintings of this period.
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Pieter Claesz was a Dutch Golden Age painter of still lifes.
He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born (October 1). He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece.