The Bath (between 1730 and 1736)

Technique: Giclée quality print
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More about this artwork

Jean-Baptiste Pater's exquisite painting "The Bath," crafted between 1730 and 1736, invites viewers into a luxuriously detailed 18th-century scene that captures a moment of leisure and intimate camaraderie. This artwork exudes the Rococo style for which Pater is celebrated, characterized by its playful and ornate aesthetic that favored lightness and grace.The painting presents a group of women engaging in the tender ritual of bathing. The central figure, a woman draped loosely in white fabric that barely cloaks her form, reclines elegantly on a sheet-covered stone bench. She is attended by several companions, each depicted with individualized attention to their garments and expressions.To the left, two dignified women help arrange the bather's wrap and hair, engrossed in their task. Another woman, dressed in a vibrant blue gown, sits to the foreground, watching the scene with an air of serene attention. Opposite to her, on the right, a pair of women engaged in conversation adds a lively dynamic to the composition.The setting is an opulent room embellished with rich draperies and ornamental wall panels, reinforcing the scene's aura of aristocratic leisure. The use of light accentuates the smooth surfaces of the skin and the luxurious textiles, playing across forms and textures to emphasize the depth and richness of the interior."The Bath" is a celebration of feminine elegance and the art of leisure, portrayed with a soft yet dynamic composition that invites the viewer to delve into a moment of historical beauty and quietude.

Delivery

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Returns

Yes, reproductions can be returned.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).