On the Terrace (c. 1730-1735)

Technique: Giclée quality print
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Jean-Baptiste Pater, a noted Rococo painter, masterfully captures a serene and lively scene in the delightful artwork titled "On the Terrace." Painted around 1730-1735, this work beautifully showcases Pater’s skill in portraying light-hearted and genteel country life that was quintessential to Rococo art.This painting invites viewers into a fleeting moment on a grand terrace, where a group of elegantly dressed figures revel in leisurely pursuits, embodying the charm and intimacy of aristocratic life. The composition is anchored by a lady in a striking black and red dress, seated gracefully at the left, her gaze wandering towards a distant landscape that suggests a tranquil rural setting. This bucolic background, washed in soft hues and gentle light, adds a dreamlike quality to the scene.Around her, the terrace is animated by various figures engaged in conversation and relaxation. The women, adorned in flowing gowns of pastels, each contribute to the dynamic yet peaceful tableau with their distinct poses and interactions. To the right, a statue of a resting figure complements the overall theme of leisure, adding a classical touch that was popular during the era.In "On the Terrace," Pater not only captures an idyllic moment but also conveys the aesthetics of an era where the enjoyment of beauty and company was celebrated. The delicate brushwork, the luminous palette, and the fluid arrangement of figures underscore the Rococo’s fascination with grace, sociability, and the pleasures of the senses.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).