On the Terrace (c. 1730-1735)

Technique: Giclée quality print
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More about this artwork

Jean-Baptiste Pater's painting "On the Terrace," crafted in the 1730s, beautifully captures the essence of Rococo leisure and elegance. Set in a lush, idyllic landscape, this artwork invites its viewers to a moment of serene enjoyment among the aristocracy of the 18th century.The painting documents a tranquil scene on a spacious terrace, where genteel figures are engaged in various leisurely activities. A group of elegantly dressed women and men, adorned in the refined fashion of the era, animate the foreground. They are depicted enjoying conversation, music, and relaxation. The central figures, a group of women, are seated gracefully, their attires flowing and detailed, communicating the opulence characteristic of the time.In the background, tall, leafy trees and a softly painted sky suggest a vast open space that extends far beyond the immediate setting, offering a sense of freedom and the great outdoors. To the right, a classical statue, possibly symbolizing the appreciation of beauty and arts, seamlessly blends with the natural scenery and the leisurely pursuits of the people."On the Terrace" not only exemplifies Pater's skill in capturing the light, fluid forms and playful themes of the Rococo period but also serves as a window into the tranquil pastimes of 18th-century French society. It eloquently showcases the delight in nature, art, and social interaction that defined this enchanting epoch.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).