Repose in a Park (c.1730)

Technique: Giclée quality print
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More about this artwork

Welcome to our exhibition featuring the exquisite work of Jean-Baptiste Pater, a noted French Rococo painter. One of the highlights of this collection is the enchanting "Repose in a Park," circa 1730, which beautifully captures the essence of Rococo art with its playful and romantic nature.This painting transports viewers to a serene park setting where a group of elegantly dressed figures enjoy a moment of leisure. The central group features a gathering of well-dressed ladies and gentlemen seated comfortably, engaging in light conversation and enjoying each other's company. The women are adorned in flowing gowns of soft pastels, and the men in their finest attire, which reflects the fashion of the period.The backdrop of the painting adds to the tranquility and idyllic charm of the scene. Tall, leafy trees and gentle brushwork create an air of softness and mystery. In the distance, a faint pastoral landscape and subtle sky suggest the vastness and beauty of the natural surroundings. Small figures in various forms of repose – such as two children near a water fountain on the left, and a couple in fond embrace hidden in the shadows to the right – provide added elements of life and gentle activity.Jean-Baptiste Pater's use of delicate colors and fluid brush strokes conveys a sense of lightness and grace, drawing the viewer into a picturesque moment of aristocratic ease and outdoor pleasure. This painting is not just a visual delight; it is also an inviting portrayal of social leisure in 18th-century France, showcasing Pater’s mastery in depicting the refined and jocular aspects of his time.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).