Fête galante with Six Figures near a Fountain (c. 1728)

Technique: Giclée quality print
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More about this artwork

Delve into the enchanting world of Rococo art with Jean-Baptiste Pater's painting, "Fête galante with Six Figures near a Fountain." This exquisite artwork, created around 1728, offers viewers a glimpse into the playful and romantic atmosphere characteristic of the fête galante genre, which Pater mastered under the influence of his teacher, Antoine Watteau.The scene captures an idyllic, dream-like gathering, set in a lush, verdant landscape. At the heart of the composition, six elegantly dressed figures—three men and three women—partake in tender and amiable interactions. The central group is arranged around a rustic fountain, a symbolic element that adds a sense of cool tranquility and reflects the fluidity and ease of their social graces.On the left, a seated gentleman playfully engages with two ladies, his posture relaxed yet attentive. Adjacent to this trio, another gentleman and lady appear deeply engrossed in conversation, suggesting a moment of intimate connection. The composition is completed by a woman who, with a gesture of refined grace, reaches towards the branches above, possibly picking or admiring the foliage, enhancing the overall theme of leisure and enjoyment of nature.Pater’s use of soft, fluid brushstrokes and a delicate palette accentuates the lightness and ephemeral quality of the scene, while the intricate details of the figures’ attire and the gentle expressions on their faces evoke a sense of fleeting beauty and romantic intrigue.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).