Brunnhilde (The Twilight of the Gods) (1894)

Technique: Giclée quality print
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Dive into the mystical world of Odilon Redon with his compelling artwork, "Brunnhilde (The Twilight of the Gods)", created in 1894. This lithograph captures the poetic and ethereal essence of Brunnhilde, a pivotal character from Richard Wagner's epic cycle of operas, *Der Ring des Nibelungen*.In this portrait, Redon presents Brunnhilde in profile, lending her a serene and contemplative demeanor. The artist's signature use of soft, subtle lines draws us gently into the depth of her character. Brunnhilde's hair flows elegantly down her shoulders, a testament to Redon’s attention to detail and ability to convey texture and movement within a monochromatic palette.The background, minimally adorned with faint, floral motifs, contrasts with the fine detail of Brunnhilde’s features, emphasizing her calm expression against the simplicity of her surroundings. This choice highlights her nobility and the gravity of her fate in the saga – isolated and introspective as she contemplates the impending doom of the gods.Redon’s portrayal of Brunnhilde offers a window into the soul of a mythical figure, inviting viewers to reflect on themes of destiny and transcendence.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.