The Queen of Sheba (La Reine de Saba) (1896-1900)

Technique: Giclée quality print
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More about this artwork

We invite you to delve into the intriguing depths of Odilon Redon's "The Queen of Sheba" (La Reine de Saba), a captivating lithograph created between 1896 and 1900. This piece draws viewers into a serene yet profound exploration of biblical and mythological themes, rendered with Redon's characteristic ethereal touch.The artwork presents an evocative portrayal of the Queen of Sheba, a figure surrounded by mystery and allure in historical and religious narratives. She is depicted with a gentle yet majestic expression, her eyes closed in what may seem reflective or meditative. The Queen's visage is adorned with elaborate headdress decorations, embodying the richness and exuberance of her kingdom.Beside her appears a softly sketched figure of a cat, a creature often symbolizing mystery and independence, elements fittingly parallel to the Queen's own legendary persona. This subtle companion enhances the mystical ambiance of the composition, paving an interpretative pathway towards notions of royalty, wisdom, and perhaps, hidden knowledge.Redon's use of soft yet deliberate lithographic strokes captures the elusive beauty of the Queen of Sheba and invites viewers to consider the layers of meaning behind this enchanting portrayal. Whether seen as a historical figure, a symbol of opulence, or a representation of female authority and enigma, this artwork continues to enchant and engage audiences, reflecting Redon's unique ability to traverse the boundaries between the seen and the unseen, the known and the mythical.

Delivery

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Returns

Yes, reproductions can be returned.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.